Lessons
Ten short craft lessons for a writing class, each on its own page and each meant for writers of any kind: novelists, poets and writers who explain. Every lesson begins with classic readings by writers such as Kate Chopin, Walt Whitman, John Keats, Emily Dickinson, Anton Chekhov and James Joyce, each linked so that it can be read in full, and closes with questions for discussion and activities.
Poems and stories by James Mulhern are also included, as working examples set beside the classics rather than among them. He offers them for a practical reason: he knows what was in the drafts, what changed and what he learned in changing it, so he can show a class how a piece came to be and not only how it ended.
Further Reading by Topic
Some essays on this site take up other parts of craft and can serve a class as reading on that topic:
- Allusion. The Allusive Method, and the concordance The Allusive Mulhern.
- Voice and dialogue. The Remembering Voice, on the adult cadence and the child’s eye, and on tags, action beats and the em dash.
- Image and motif. The Recurring Image.
- Story shape. The Shape of a Story.
- Terms. A Glossary of Literary and Writing Terms.
—Silver Current Press